英文读后感范文6篇

每次写读后感都是我们提升文学修养的机会，我们应该认真对待，通过写读后感，我们可以记录下自己的阅读收获，形成个人的成长笔记，职场范文网小编今天就为您带来了英文读后感范文6篇，相信一定会对你有所帮助。

英文读后感范文篇1

the world is what we see now this appearance? plants are always silent, the animals dont have thoughts and feelings, food can fill our belly...

that may not be oh! as long as you are willing to, he may become another appearance: starlight shines through every corner of the small animals to play with you, sitting in my room, you can flying into the ground, in a twinkling, with roaming wanli... want to go to the world for roaming, it is not difficult, just need some curiosity and some fantasy.

alice has done this in the past, the story is like this: in a make you sleepy in the afternoon, alice in the river the chasing a talking rabbit in vest and fell into the rabbit hole, which came to a wonderful world, in this wonderful world many strange things happened, until alice clashed with the queen, just wake up, found himself still lay in the river.

when i finished reading the book, i realized the fun of reading and imagine happiness. the book brought me to a wonderful world to roaming, also left a deep impression on me.

reading this book, like to set foot on a boat trip, can roam the world, you can look at flags, can feel happy. i also want to alice, for life is full of beautiful yearning to do a good boy!

世界就是我们现在看到的这个样子吗?植物们永远默默无语，动物们没有思想和感情，食物只能填饱我们的肚子……

那可不一定哦!只要你愿意，他完全可能变成另外一种样子：星光洒满每一个角落，小动物们和你一起玩耍，坐在自己的房间里，就可以飞天入地，转瞬间，你以漫游万里……想到这个世界去漫游，一点也不难，只需要一些好奇心和一些幻想。

爱丽丝就做到了这一点，故事是这个样子的：在一个让人昏昏欲睡的下午，爱丽丝在河边追逐一只穿着背心的会说话的兔子而掉进了兔子洞，从而来到了一个奇妙的世界，在这个奇妙的世界里发生了许多奇怪的事情，直到爱丽丝与女王发生冲突，才醒过来，发现自己依然躺在河边。

当我阅读完这本书时，我体会到了读书的乐趣与想象的快乐。这本书把我带到了一个奇妙的世界里去漫游，同时也给我留下了深刻的印象。

阅读这本书，犹如踏上一只旅行的小艇，可以漫游世界，可以仰望旗帜，可以体会快乐。我也要向爱丽丝一样，做个对生活充满美好向往的好孩子!

英文读后感范文篇2

?jane eyre》is a great novel which was written by charotte bronte,the famous woman author,in1847.jane eyre was an orphan and she have to lived in her aunt's home.

she was terribly treated by her aunt.she is longing for freedom.after graduated from lowood,a boarding school,she became a tutor and began to teach in thornfield.

at thornfield,the owner of the hall,mr.rochester and jane began to love each ether.but when they were at the wedding,someone brought a message which said that mr.rochester has married.jane got a shock and leave mr.rochester.after suffered much misfortune.

she became rich and gentility.but she went back to the side of mr.rochester who needed help and love. jane eyre is neither gentility nor beautiful at first.but she is full of love and abhor evil as a deadly foe.

she excused her aunt and mr.rochester.she pursued true love,so she refused st.john's proposing.jane eyre's rough live was very similar with charlotte bronte's.charlotte used jane's mouth expatiated her idea-freedom,true love,equality,respect.and peaceful life.

these seems easy to get,but they are the most valuable things in the world.

英文读后感范文篇3

the article touches on themes of moral dilemmas that surface when money , love and affection collide. affection and love are the most precious emotions in the world. but there are something different when love and affection mix with money. some choose money , and the love is the choice of others.

in this story, molly killed her husband just for money. and jackie kill her mother because of love and money. in general, people in this family are selfish. they only care about themselves no matter how well the others do. however,the more attention the family to the others , the more love there will be. all members of the family get round the table and have a heart-to-heart talk and learn to care others more ,the result would be different.

well,what we especially family need most in this society that very rapidly developing ? the answer must not only be money. and the relationship would be better if we care about others more.

英文读后感范文篇4

last week, the american film institute released its list of the 100 best american films of all time. not surprisingly, gone with the wind placed in the top 10 (#4, in fact). however, although this epic romantic melodrama is undoubtedly one of the most popular and beloved motion pictures ever to grace the silver screen, it is also arguably the most overrated. gone with the wind is a very good movie, perhaps bordering on being great, but its subject matter and running time (which is easily 60 minutes too long) argue against its status as a masterpiece. as for its high placing on the afi#39;s list... it isn#39;t the only travesty on that roster, but it is one of the most obvious. gone with the wind is, simply put, a tale of two halves. the movie is divided by an intermission into a pair of roughly-equal segments. the first, which is brilliant and consistently captivating, covers the time period of the civil war, beginning shortly after the election of abraham lincoln, and ending during

sherman#39;s march through atlanta. the post-intermission half, which dishes out the suds, picks up at the end of the civil war and concludes about eight years later. this portion of gone with the wind, while still retaining a degree of appeal and narrative interest, spins its wheels frequently. nevertheless, viewing gone with the wind on television pales in comparison to seeing it projected on a motion picture screen. new line cinema has chosen to re-release the film (which is now in its sixth major revival) for its 59th anniversary. (why not wait a year for the 60th?) anyone who loves movies but has only seen this one on tv or video is heartily encouraged to visit the nearest participating venue. theatrically, gone with the wind is an entirely different experience from its small-screen counterpart; some of the second-half narrative tedium is effaced by the glorious visuals. with a restored three-strip technicolor print that preserves all of the original#39;s deep, vibrant colors and digitally-enhanced sound, this picture has never looked or sounded better. gone with the wind has one of the best-known storylines of any film, due in large part to the popularity of the source material, margaret mitchell#39;s best-selling 1936 book. it#39;s essentially a sumptuous soap opera set around civil war times in the deep south. the main character is scarlett o#39;hara (vivien leigh), the spoiled, manipulative daughter of an irish immigrant plantation owner (thomas mitchell, who would later play uncle billy in frank capra#39;s it#39;s a wonderful life). scarlett has two sisters, but she is by far the most spirited of the three o#39;hara girls, and her father, seeing her as his successor, teaches her lessons about the importance of the land. "it#39;s the only thing that lasts... the only thing worth fighting for," he comments in the face of war. scarlett is secretly in love with ashley wilkes (leslie howard), who is about to marry the gentle, demure melanie hamilton (olivia de havilland). when scarlett confesses her love to ashley, he admits his feelings for her, but notes that melanie will make a much better wife. immediately after this meeting, scarlett has her first encounter with the irrepressible rhett butler (clark gable), the cynical, smart hero who eventually falls in love with her. they are two headstrong likes who simultaneously repel and attract one another. when scarlett remarks, "you, sir, are no gentleman," rhett#39;s smiling, easy response is, "and you#39;re no lady." the bulk of the film follows a romantic quadrangle as it unfolds against the backdrop of war and reconstruction in and around atlanta and the o#39;hara plantation, tara. scarlett is in love with ashley, or thinks she is, but he won#39;t leave his wife. melanie loves both her husband and scarlett, who improbably becomes her best friend. rhett is smitten with scarlett, and she is clearly interested in him, but the real question is how long it will take for her to recognize the depth of her feelings. ultimately, when rhett has finally had enough, he walks out of her life after answering "frankly, my dear, i don#39;t give a damn" to her plaintive query about what she#39;s supposed to do without him. the pre-intermission portion of gone with the wind, which runs about 115 minutes, is glorious from both a visual and an emotional standpoint. it#39;s a grand tale of love and loss in the midst of this country#39;s most bitter war. most importantly, it shows scarlett#39;s development from a vain, spoiled brat into a hardened, determined young woman. her relationship with rhett is there, but kept carefully in the background. there is sadness, humor, and a number of breathtaking shots of scarlett silhouetted against a reddish sunset or the backdrop of atlanta in flames. the film#39;s most lingering image -- that of thousands of confederate wounded paving an atlanta street -- occurs during this part of the movie. the second half, with its repetitive concentration on scarlett#39;s back-and-forth, do-i-love-him-or-not relationship with rhett, is less successful. this stuff is real soap opera material, and, even as well- acted and well-presented as the narrative is, there#39;s no mistaking it for anything else. if it didn#39;t run on for so long, it would be a lot more bearable, but gone with the wind threatens to wear out its welcome long before the end title appears. the problem is that the bulk of the story is really told in the first half, so there#39;s a lot of filler in the post-intermission material. gone with the wind stands as a romantic monument to the old south -- an homage to an era and a lifestyle long gone. the opening title states: "there was a land of cavaliers and cotton fields called the old south. here in this pretty world, gallantry took its last bow. here was the last ever to be seen of knights and their ladies fair, of master and of slave. look for it only in books, for it is no more than a dream remembered, a civilization gone with the wind." this clearly illustrates where the film#39;s sympathies lies, and it isn#39;t with the often-grim plight of the slaves (in fact, slavery is largely treated as a neutral, or even benevolent, institution). one of the tests of the lasting impact of any film is determining whether it#39;s still effective decades after its initial release. gone with the wind looks so good that it is surprising to consider its actual age. it#39;s hard to believe that many of the people involved with this film have long since died. of course, period pieces should not be constrained by the era in which they#39;re made, only by the one in which they#39;re set. the storyline, while "progressive" and "modern" for the 1930s, is a little tame for the 1990s (hence the mpaa#39;s "g" rating), but, in its three-dimensional depiction of scarlett and rhett, it#39;s rarely naive. the dialogue is often brilliant, and some of the rhett/scarlett exchanges are particularly clever. gone with the wind avoids becoming hopelessly maudlin by peppering the lengthy storyline with a variety of lively and humorous sequences.

英文读后感范文篇5

上个月我看了《活着》这本书，它使我受益匪浅，无疑是心灵上的起伏。《活着》实际讲述的是一个人一生的故事，这是一个历尽世间沧桑和磨难的老人的人生感言，是一幕演绎人生苦难经历的戏剧，它富于的内涵和哲理太过复杂，非三言两语能够诠释清晰的。我只能说那么一点点感悟罢了。

这位名叫“福贵”的老人成长于解放前期，经历了抗日战争、国内革命战争、新中国成立、大跃进时代、“”时代、改革开放初期，他的一生实则是现代中国的演变史。虽然故事情节以他及他的一家为主，但反映出来的场景却是多方位的，它让我们见识了战争的残酷，见证了神化的中国，更让我们80年后的年轻一代了解什么是“”。作为21世纪的年轻人，是应该必定是一个没有前途的民族，因而，我们更应该了解并牢记这段历史，而这也许是《活着》带给我们的启发和引思吧。

在描述苦难时代的背景下，“福贵”老人也经历了人生所有的痛苦，当他看着一个个亲人离自己而去的时候，心底实际是在滴血，是在哭泣，但他仍然挺过来了，依然乐观、豁达地面对着人生，在年近古稀之时，以一头耕牛为伴，却没有一丝的沮丧。在他的脸上，我们看不到生活有多么的不好，看不到对世道的厌倦，有的只是岁月留下的沧桑，有的只是他带给我们的人生取向。

“福贵”老人其实只是广大中国农民的一个缩影罢了，在他们身上遗存了太多优良品德，勤劳、善良、任劳任怨、乐观、坚韧，正是无数像“福贵”这样的老百姓，我们的国家才能在那无尽的灾难中挺过来。

如今，中国的很多农民每年都要为了生计从自己的故土奔向陌生的城市，做着最辛苦的工作，得到的是最低微的收入，他们骨子里的品质让他们无怨无悔。面对困难他们勇往直前，他们才是真的勇士。因而，《活着》是一面人性的镜子，它让我们知道什么样的品质才是中华民族优良的品质，才是民族希望所在。它带给我们的还有很多，对于“福贵”这样的农民来说，土地就是命，就是生命意义所在，那么，对于我们年轻一代来说，生命的意义又是什么呢?

当今的社会竞争激烈，它并不像某些人所讲的那样美好，并不像某些歌曲所颂扬的那般幸福，他们所看见的只是他们的快乐，而广大农民却是很艰难的。现在的“三农”问题并不是那么容易解决。我想，我们只有从自身做起，不断提升自己、充实自己，并极富热情地关注这个社会尽自己所能去帮助和关心他人，这样就已经很不错了。

2003年的sars，2004年的禽流感，2008的冰冻灾害，所有的一切让我感觉到了活着的艰难，我们并不比“福贵”老人幸福多少，所承载的压力与顾虑是很大的。《活着》当中的余杰、何清涟，是他们让我们感知社会并不是一片漆黑，而是有一丝光在暗暗地照着。即便生活再困苦，我们还是可以像“福贵”一样，很好地活着，人生的艰难才刚刚开始。

?活着》确实被赋予太多的内涵，无疑是一种享受，它让我能更清晰地了解这个社会，了解人生的意义，也许是终生受益吧。

英文读后感范文篇6

it seems to me that many readers’ english reading experience starts with jane eyer. i am of no exception. as we refer to the movie “jane eyer”, it is not surprising to find some differences because of its being filmized and retold in a new way, but the spirit of the novel remains----to be an independent person, both physically and mentally.

jane eyer was a born resister, whose parents went off when she was very young, and her aunt，the only relative she had，treated her as badly as a ragtag. since jane’s education in lowwood orphanage began, she didn’t get what she had been expecting——simply being regarded as a common person, just the same as any other girl around. the suffers from being humiliated and devastated teach jane to be persevering and prize dignity over anything else.as a reward of revolting the ruthless oppression, jane got a chance to be a tutor in thornfield garden. there she made the acquaintance of lovely adele and that garden’s owner, rochester, a man with warm heart despite a cold face outside. jane expected to change the life from then on, but fate had decided otherwise: after jane and rochester fell in love with each other and got down to get marry, she unfortunately came to know in fact rochester had got a legal wife, who seemed to be the shadow following rochester and led to his moodiness all the time ----rochester was also a despairing person in need of salvation. jane did want to give him a hand, however, she made up her mind to leave, because she didn’t want to betray her own principles, because she was jane eyer. the film has finally got a symbolist end: jane inherited a large number of legacies and finally returned. after finding rochester’s misfortune brought by his original mad wife, jane chose to stay with him forever.

i don’t know what others feel, but frankly speaking, i would rather regard the section that jane began her teaching job in thornfield as the film’s end----especially when i heard jane’s words “never in my life have i been awaken so happily.” for one thing, this ideal and brand-new beginning of life was what jane had been imagining for long as a suffering person; for another, this should be what the audiences with my views hoped her to get. but the professional judgment of producing films reminded me to wait for a totally different result: there must be something wrong coming with the excellence----perhaps not only should another section be added to enrich the story, but also we may see from the next transition of jane’s life that “life is like a box of chocolates, you never know what you would get.” (by forrest gump’s mother, in the film “forrest gump”)