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【诺丁山影评】 诺丁山经典对白20句

发布时间:2019-06-20 09:30:34 影响了:
文章摘要:这道题是厍嵌估同学的课后练习题,主要是关于诺丁山影评,指导老师为晁老师.题目:诺丁山影评解: when a super star met with an ordinary person?what will happen?willia……

概括:这道题是厍嵌估同学的课后练习题,主要是关于诺丁山影评,指导老师为晁老师.

题目:诺丁山影评解:

when a super star met with an ordinary person?what will happen?william kuszczak a very common bookstore boss,have a brief marriage,divorce from his love seems far away.anna,a famous movie star,no one know,no one knows all,but belong to her prince charming never came.self-owned providence.,a life in his fairy tale,so the actress dream in one day he burst into the store,from now on his life was completely changed...for this fairytale love,he tried to overcome his nervous,follow behind her,accept countless lens of review; for this fairytale love,she temporarily stopped his career to marry and have children,drop star

举一反三例1: 诺丁山英语观后感或英语简介我们后天就交作业了.越快越好.最少450左右吧.[英语练习题]

思路提示:

瑙傚悗鎰烖br>

notting hill

it may be a paradox to say that a film can sparkle slowly,yet that"s the only way i can describe this charming romantic comedy.the star(dom)-crossed lovers don"t know that they are meant for each other ...yes,this is the standard romcom setup.but the -way- they don"t know?that is put across in a most british and deliberate pace and setting.and it makes the ending that we all know is coming gather color and charm.

"notting hill" takes over a third of its running time to show william (hugh grant) as he is immersed in his daily life,wanting to be supportive of his friends,yet searching for his own inner life.the five closest friends all show something he lacks:"happy" conformity,a loving marriage transcending obstacles,a sister who takes bold risks for finding love,and a roommate that sees through pretense and says so (and,yes,is delightfully vulgar).

that very british character-in-a-wry-setting pattern borrows from "four weddings and a funeral," but the only friends there that i could consistently believe -mattered- to grant"s character were the gay couple,one comic,the other showing profound emotion.here,all of the lead character"s circle deeply cares about him,as he does about them.this makes all the difference.

where it matters most is in giving him support when the american film beauty (julia roberts) comes into his life,then out,then in,then ...and all in ways that are believable for such dissimilar lovers.the romantic turns are more plausible because grant"s character has such support and a place for sharing his emotional roller-coaster ride.he isn"t crushed by the down moments,but picks up his individuality and moves on.and his friends tell him,sometimes with only searching looks,just when he"s picked up -too much- of being on his own.(okay,the moment towards the end when spike puts his exasperation into three pointed,even vulgar,words is a refreshing change.sometimes,when a friend lets loose with the pithy truth,it hits the needed spot.)

all this backstory,character richness,and pointed use of the "right" words are british qualities that we don"t get with the standard american romcom setup.

gina mckee"s turn here as grant"s wheelchair-bound female friend is of someone with deeply felt individuality and unique perceptiveness,including her own tender perspective on loves past and present -- especially her husband.it"s a glimpse into a woman with distinctive qualities that -she- has chosen.this makes her both appealing to all her friends,and forceful by quiet understatement.she also ends up being much funnier,when you"ve rewound the tape and end up thinking about the story.(listen for her spoken turn on "standing up." no,it"s not a cheap play on her limitations.not in context.and that"s subtle comic acting.)

richard curtis"s inventive screenplay is one of the best in years,and would reward a look in book form as well.he takes this backdrop of supportive friends,puts in the sparkle of roberts invading and shaking up their world,and creates a skein of personal truths and imposed celebrity nonsense.

grant and roberts are both passionate and bemused observers of the absurdities of fame that end up surrounding them,but they act this out in comic byplay and inventive responses.this isn"t an american breakneck-pace (or "screwball") comedy,and their subtle discovery of each other"s -minds- and substance wouldn"t work in such a setting.

roberts has both the easy familiarity with and the hair-trigger of frustration from fame,both coming out to undermine her when she least expects it.but she shows that she can grow and learn from her mistakes.(unlike her well-acted but overexplained realization at the end of "runaway bride.") she even has one scene -sans- makeup that is a genuine romantic turning point.i don"t see many other actresses being willing to try that.

grant shows an astonishing inner strength and self-awareness,not being willing to hide how -he- sees reality.(he did the same realistic turn in "four weddings," but didn"t try nearly as effectively to figure himself out.)

the photography and settings show off london beautifully,and the story"s interior scenes make highly imaginative use of a narrow,stacked-up notting hill mini-townhouse.

only two items give this any less than a 10 rating from me -- and even then,only down to a 9.the director doesn"t take up very many opportunities to build on the comic or dramatic moments in the screenplay.he coasts on the words.they"re good words,but they need a twist at times.

the other partial disappointment is with the musical score.it isn"t really a score,or much of one,it"s mostly popular tunes that underscore the action.one of these is luminous,and frames the story perfectly -- elvis costello"s cover of "she." others,though,use their lyrics to grind plot points into the ground.they also are usually performed far too high in volume,and sometimes lapping against dialogue.

(the two original themes by trevor jones are beautiful,lushly written,and quite fitting to the main characters.we should have had more of his work,but they"re less than a fourth of the film"s music.)

the british often put more creativity below the narrative surface and into the setting than americans do,and often get beyond formula.to discover this in a film is joyous.you"ll feel this when you find yourself compelled to see this deeply felt,yet very funny,film twice,thrice,or more.for me,it"s still delightful after nine months and nine viewings.

例2: 求电影诺丁山的翻译youare'horseandhound's'favoriteactress.youandblackbeauty.tied.请帮我翻译下这句电影诺丁山里的台词.谢谢了[英语练习题]

思路提示:

you are horse & hounds" favorite actress.

you and black beauty...

tied.

你是"马和猎犬"(杂志)最喜欢的女演员

和"黑美人"...

不相上下

相关思考练习题:

题1:诺丁山的影评

点拨:当一个平常人与一个super star相遇会发生什么事情,可能只是擦身而过,但是也有可能…… 就这样这两种人的代表在诺丁山这个小镇上不期而遇了,一个小以外改变了两个人的一生,让他们找到各自的人生的另一半. 威廉萨克(休格朗特),一个平平无奇... 题2:“诺丁山”观后感

点拨:[“诺丁山”观后感]我又怎么会不记得在“诺丁山”电影原声里一切昨日重来,“诺丁山”观后感.很久以前,一听钟情的是“she”,拉开序幕,丘比特恋爱之箭箭穿红心.偏爱的是“you’got a way”,百听不厌的就是98°的i do (cherish you),万能的上帝,也不知... 题3:求一篇关于电影诺丁山的英文影评

点拨:notting hill proves one thing -- jokes lie in the oddest places. this film is an excellent vehicle for julia roberts to put her own life as an actress under the microscope. while roberts" "anna scott" character isn"t an autobio... 题4:我为什么喜欢诺丁山英文影评

点拨:notting hill proves one thing -- jokes lie in the oddest places. this film is an excellent vehicle for julia roberts to put her own life as an actress under the microscope. while roberts" "anna scott" character isn"t an autobio... 题5:诺丁山这部电影所要表达的是什么呢?

点拨:超越身份地位的恋情 这是我最喜欢的一部爱情电影 类似于罗马假日 女主都很有身份地位 男主都是小人物 个人更喜欢诺丁山 因为比较靠近现代 让我觉得更有真实感

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